Facebook Photos Pulls Away From The Pack | Techcrunch

 

Facebook Photos Pulls Away From The Pack

by Erick Schonfeld on February 22, 2009

If Facebook has one standout application it has to be Photos. Measured on its own, it is the largest photo site on the Web. A full 69 percent of Facebook’s monthly visitors worldwide either look at or upload photos, based on comScore data. And more than 10 billion photos have been uploaded to the site.

Facebook vs. Flickr

And it’s been pulling away from its competitors. As can be seen in the comScore chart above, as recently as last September the top three photo sites in the U.S. were running neck-and-neck, with Facebook Photos at 23.9 million unique visitors, followed by Photobucket at 21.3 million uniques, and Flickr at 19.5 million uniques. But by January, the number of monthly U.S. visitors going to Facebook Photos shot up 41 percent to 33.6 million. Meanwhile, Photobucket is up only 7 percent to 22.8 million, while Flickr is up 12 percent to 21.9 million. Picasa is a distant fourth in the U.S. with 8.1 million.

In other words, Facebook increased the gap between its closest competitor Photobucket in the U.S. from 2.6 million monthly unique visitors to 10.8 million. On a worldwide basis, the gap between Facebook Photos and Flickr which is the No. 2 site globally, and looks like it is about to pass Photobucket in the U.S. went from 41.2 million unique monthly visitors in September to 87 million in December the most recent data available, see chart below.

What accounts for Facebook’s advantage in the photo department? The biggest factor is simply that it is the default photo feature of the largest social network in the world. And of all the viral loops that Facebook benefits from, its Photos app might have the largest viral loop of all built into it. Whenever one of your friends tags a photo with your name, you get an email.

 

via Facebook Photos Pulls Away From The Pack .

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Jay Leno’s Move Hints at Future of Prime-Time TV – NYTimes.com

With one sweeping shift this week, the ailing NBC network reordered the playing field of prime-time television. The introduction of a five-night-a-week program starring Mr. Leno, beginning next fall, was a concession that TV norms cannot continue, at least not at fourth-place NBC.

The programming and viewing habits of the last 50 years — exemplified by the checkerboard of competing programs on the broadcast networks — are being replaced by an Internet-influenced time-shifting model of scheduling. As a result, the very definition of prime time may be changing.

“We do have to continue to rethink what a broadcast network is,” Jeffrey Zucker, the chief executive of NBC Universal, a unit of General Electric, said at an industry conference Monday, hours before the news of Mr. Leno’s new assignment emerged. He warned that if changes were not undertaken, “the broadcast networks will end up like the newspaper business or, worse, like the car companies.” Maybe Mr. Zucker has seen the future; after all, his network has lost 50 percent of its 10 p.m. audience in the last three years.

The announcement of Mr. Leno’s show continues to reverberate on studio lots and executive corridors here, as the Monday-through-Friday “strip” is unprecedented in the modern network television era. NBC framed the decision in terms of competitiveness and cost-effectiveness, because it defuses the risk of Mr. Leno’s move to another network and saves untold millions of dollars a year. But it also reflects the increasing irrelevance of the network schedule.

The irrelevance is partly because of digital video recorders, the bane of many a television executive. Viewers in the 28 percent of homes with DVRs are recording programs at 8 and 9 p.m. and playing them back later in the evening, hurting the 10 p.m. hour. Of the 10 prime-time programs that gained the biggest audience from DVR usage this year, none were on at 10 p.m.

The biggest gainers from DVR viewership were dramas. According to statistics on time-shifting released by Nielsen Media Research on Friday, the NBC series “Heroes” benefited the most from DVRs, with a 35 percent increase in its audience after seven days of time-shifted viewing. The new Fox drama “Fringe” experienced a 26 percent increase, and the ABC series “Lost” had a 25 percent increase.

via Jay Leno’s Move Hints at Future of Prime-Time TV – NYTimes.com.

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